AN ARTICLE BY J.S.RAO Known for his eccentricity, he was called everything from a miser to a madcap to a moron. But, as a singer he was unparalleled. So was his ability to make people laugh. J S Rao remembers Kishore Kumar on the occasion of his 15th death anniversary. Read the rest of this entry »
Source: The Asian Age, 13 June 1996, Calcutta
(By Dinesh Raheja and Jitendra Kothari)
When dust particles dance in the ray of light that bisects the darkened theatre and the screen lights up, a special communication is established between the moviegoer and the flickering images onscreen. And when the viewer becomesentranced with the shifting dynamics of the world before him, luminaries are born. It was on a wet day in July 1896, in a much smaller Mumbai with a population of barely 10 lakh people, that the screening of the first ever cinema show in India was held at Watson’s Hotel. British officials and their memsahibs came to see this ‘marvel of the century’ brought here by the Lumiere brothers barely six months after they had first exhibited their exciting invention in Paris. When the lights came on, even the pricey Re 1 seaters cheered and welcomed this new mass medium of entertainment. Read the rest of this entry »
Mumbai, 17 Nov In the ‘Melodiana’ dated November 3, I explored the theme of how papa S D Burman was an inspiration to RD Burman. R D, interestingly, never did care for Mohammed Rafi. But SD did. In fact, such was the aura of Rafi (on our top stars through the mid ’50s) that Dada Burman was left with no go but to alternate Rafi with Kishore Kumar, even on Dev Anand, in Nau Do Gyarah. Read the rest of this entry »
Asha Bhonsle
All the names I have mentioned have God gifted voices.
They are a class in themselves and nobody can touch or imitate them. I feel such singers are rarely born in centuries. There is a gap between the heart and brain — that is where the soundbox lies — some sing from their heart, others use their brain. But all singers in my list apply both their heart and brain. That is the reason I consider them great singers. strongly feel that the government must preserve their songs and set an example for the coming generations.
Was Kishore Kumar eccentric? Was he obsessed by money? What made him opt for the tongue-in-cheek and the audacious? Why are there hundreds of storied circulating in the film circuit about his oddities? Read the rest of this entry »
From Phillumfare’s special issue (Nov 1-15, 1987), less than a month after KK’s death:Kishore, in his own words: Read the rest of this entry »
Filmfare November 1987 Article
KK A TRIBUTE
(Kishore Kumar passed away on October 13 1987)
“Zindagi ko bahut pyar humne diya, Maut se bhi mohabbat nibhayenge hum” he sang. You bet he is doing just that, keeping everyone up there spellbound with his songs of life – and death, or in stitches with his comic antics.
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Rajiv Vijayakar
Reams have been written about how Kishore Kumar,when he finally came into the mood to playback for artistes other than himself and Dev Anand, decimated the competition offered by such stalwarts as Mohammed Rafi, Mukesh and Mannadey. Read the rest of this entry »
